Inspiring Women

I was recently asked to write a piece about women who have inspired me over the years. I thought long and hard about it. Some stand-out familiar names sprang to mind: Katherine Grainger, the greatest living British oarswoman; Angela Merkel; Meryl Streep and so on.

However, I came to the conclusion that it is ordinary women who are the most inspirational to me: those who work hard, sometimes against the odds, and succeed quietly. One of my greatest inspirations has been my mother-in-law, Vera Steele. She read medicine at Glasgow University immediately after the Second World War, living in digs in a city still reeling from bombing raids and wartimes losses. She recalled recently cycling around the back streets of the city with a fellow doctor, heading into rough areas to visit women who had either just had or were about to have a baby. She talked about it in such a matter-of-fact manner but it seems to me to have been a courageous thing to have done, at a time when women doctors were not as numerous as they are today and Glasgow was a dangerous place in many ways. She married a GP in 1952 and was obliged to give up working. There was no such thing as maternity leave in those days. She made the decision, she told me years later, that there was not room in a marriage for two careers and a family. After her three children were born she went back to work part-time in a Psychiatric department. She succeeded in combining all aspects of her life and to do so apparently effortlessly. When I met her in 1980 she was the same age as I am now, 54, and she had a calm about her which I have always found admirable. She mustered her unruly brood with affectionate firmness, she cooked for as many as turned up to her table and was well-loved and respected by her colleagues at work. Now, aged nearly 90, she is frail but her mind is sharp and she is interested in everything her family is up to. A thoroughly inspirational woman.
Another woman I have looked up to all my life is a German friend called Atti. She was 52 when I first went to live in Munich in 1978. She took me under her wing and helped me to learn everything I could about her wonderful country. ‘Until you understand our culture – our music, literature and art – you will never truly be able to speak good German,’ she said to me. I took that to heart and over the two years I lived there I absorbed as much of German culture as I possibly could. She was always generous with her time and took me to exhibitions, on sight-seeing tours, to concerts and even, on one memorable occasion, to Oberammergau to see the Passion Play. This is put on every decade and tells the story of Christ’s passion. It was a truly memorable occasion. That alone is not enough, however. What Atti brought to all these moments was her zest for life, her absolute passion for everything she did and saw. She made me look, see, listen, in a way that no one had ever done before and I know that she helped to shape the person I am today. She had grown up in Berlin under the Third Reich. Her brothers both fought on the Eastern Front, her older brother being a prisoner of the Russians until 1949, and she was unafraid to talk about the war and the impact it had on their lives. That was something new. The war was still close in people’s minds to be a difficult subject but the description of her experiences had a deep impact on me. It is something I would like to write about in the future. When we last mooted it UK publishers were still too squeamish to accept the good German story but that was 10 years ago so perhaps things are changing.

Julie and Atti, 2013

The third woman who I would say was an inspiration is a woman I never met. Her name was Edith Jones and she was the tenant farmer’s wife in Shropshire whose diaries form the golden thread through Jambusters. Edith recorded life at Red House Farm on the Long Mynd in brief but delightful detail. I learned, over the course of the years 1932-1947, that she had an outside ‘double-seater’ privy, that she washed her clothes in ‘sweet’ water, gathered in rain butts and that she was passionate about her chickens and her vegetable garden. She experimented with haybox cookery in 1938, cooking ham, beetroot and stews with considerable success and was very proud of her Victoria sponge cakes which regularly won prizes at WI competitions (she became a member in 1931). I read about her matter-of-fact acceptance, tinged with sadness, when a sickly calf she had looked after day and night for several days did not survive. ‘It was buried by the men’, she wrote, adding ‘poor little thing’. Edith’s everyday life was hard. The Long Mynd was remote in the 1930s. Although only 11 miles or so from Shrewsbury, she was unable to leave the village except with her husband Jack, until one fine day when a bus service started and once a week she would hop on the bus and go into the town to market or the cinema. Yet this woman, who worked long hours all year round, harvesting, bottling, pickling, helping out on the farm and turning her expert hand to mending clothes, prams and anything else that might be broken, still found time to read. To her, education was something so precious that it could not be squandered. She told her great-niece when she was in her 80s in hospital that she was shocked the other patients were not improving their minds by reading books or playing scrabble. Edith Jones, like Vera and Atti, lived her life to the full. She did not win a medal for bravery or receive an honour for service to the community, but she made a difference to the lives of those around her and her tireless energy inspired other younger people to take life by the horns and make of it what they could.

Edith Jones with her nephew Leonard in Llangollen before the war

A Blithe Spirit – Peggy Sumner

When an old person dies it is traditional to look back over their whole life, starting at the beginning and ending at the end. However, in the course of my work researching the social history of the Second World War I inevitably enter the latter part of people’s lives. The risk of talking to someone about what happened seventy years ago is that their memory becomes coloured by the tint of history or by the influence of collective memory. Peggy Sumner was different. There was a freshness about her wartime memories that was captivating and believable. When describing her first WI meeting in Dunham Massey in 1938 she brought a lost-world to life:

‘Everyone was wearing heavy coats, hats, gloves, good solid thick stockings and well-soled shoes or boots. The predominant colour was black or navy blue and these were top coats that had been bought to last a lifetime. People were still in mourning from the Great War which had ended twenty years earlier and some of the coats dated from that era. The room itself was always cold. You had to push the emergency bar on the inside of the school room door to get into our room, which brought with it an icy blast of cold air in the winter. There were heating pipes around the room but they could not compete with the draughts, so we all kept our coats, gloves and hats on throughout the meetings.’

Peggy Sumner, 1940

I remember from my own school days those huge black heating pipes that burned your legs if you got too close to them but were useless against draughty doors and windows. In fact, our classrooms were a series of micro-climates which could almost certainly have sustained a variety of different forms of life, from polar bears to scorpions.

The president, Mrs Hughes, ran a tight ship and kept her committee in order. In the end she ran Dunham Massey WI for over a quarter of a century and in all that time Peggy and her sister Marjorie were members. There was little time for chit-chat. Peggy likened the meetings to church but she had a twinkle in her eye when she remembered the cakes. Even during the war the membership eschewed biscuits in favour of cakes. Biscuits were just not acceptable, she said simply:

‘The only time we talked was when the tea came round and the cakes were handed out. If you were at the end of the row you had to hope that a nice-looking cake you had spotted would not have been taken by the time it got to you.’

Last time I saw Peggy was in her house in Hale, near Altrincham. She had lived in the house with her sister since before the Second World War and although there were some modern details, it was essentially a 1940s house with a few 21st century trimmings, such as books and cards. Yet Peggy’s presence was anything but old or dusty. She was full of ideas about what WI outings she would like to take part in, even if her horizons were somewhat narrowed by her ninety-plus years. But she was also enthusiastic about what opportunities the WI was able to offer some of the newer, younger members who were just starting out on what she clearly thought was a great adventure.

‘The great thing about the WI is that you are one of a few who are all trying things out. I have seen members scared to open their mouths when they first joined who have ended up as President or on the county committee.’

Peggy at IWM North for the launch of Jambusters in 2013. She was so proud to be involved in the book and I was honoured to have been able to tell her story.

Peggy had that rare ability to telescope the years so that she was as at home talking about the 1940s as she was the 1990s or even the 2010s, if that is what they are now called. When I was reflecting last night on her long life it came to me that what Peggy Sumner was able to express was the spirit that never aged in her. She might have become frail and elderly but inside her mind was a seventeen year old girl who turned up at her first WI meeting and joined a family that lasted for over 77 years. Peggy did not have a career as such, nor did she push herself forward to take the lead in things but she lived a full and happy life and made other people’s lives better simply for being there. What a remarkable lady. She will be much missed. I am proud that her memories are perpetuated in Jambusters.

May 2015

Welcome to my 16th newsletter. In my last letter I started by saying that I was looking forward to a quieter period of planning for the future. That spectacularly failed to happen and I have had the busiest spring of my career to date.Contents

  • Jambusters & Home Fires
  • The Arvon Link
  • Fashion on the Ration
  • And Finally…

Julie in her cameo-role costume after filming for six hours in September 2014. And yes, it is a grey curly wig.Julie in her cameo-role costume after filming for six hours in September 2014. And yes, it is a grey curly wig.Fashion on the RationJambusters & Home Fires

At last, at last, we have a transmission date. Home Fires, the drama series inspired by Jambusters, will commence on Sunday 3 May 2015 at 9pm on ITV and run for six weeks. It is quite the most exciting thing that has happened to me in my career and I am not yet sure what it is going to mean for the future. As my agent said to me recently: ‘Hold on to your hat’.

I first saw the trailer for the series in December 2014 and then had to wait patiently until mid- March to see episode one. It was one of those moments that will stay with me forever. I sat in my sitting-room, where script writer Simon Block, executive producer Catherine Oldfield and I had sat 27 months earlier, and watched the characters Simon had begun to create in December 2012 living, breathing and being. It was an extremely emotional experience and I could almost not think straight as I was watching it. The second time I saw it was in Bunbury (Cheshire) in early April, where the series was filmed the previous autumn. ITV had organised a private screening in the beautiful medieval church and we all sat transfixed, watching the village pop in and out of focus as the action took place in front of our eyes. It was a most surreal experience. Lots of people were whispering excitedly when they saw themselves, their houses, their cars, but by the third quarter of the episode there was silence: a sense that the drama was too important to interrupt and the church was almost completely quiet, except for the odd gasp or laugh in the relevant place. When the closing credits rolled there was a moment’s hesitation before the audience burst into loud applause. Afterwards, when some of the noise had subsided and people were able to move around, I overheard one man saying to another: ‘… absolutely fascinating. Never seen anything like it. Who’d have thought to put on a drama about the war from the women’s point of view?’ Bingo. That is exactly the reaction one wanted to hear. Let us just hope it is similarly positive when it comes to our screens for real. I hope you enjoy it.

The beautiful medieval church of St Boniface in Bunbury where we watched the first public screening of Home Fires on 9 April

The beautiful medieval church of St Boniface in Bunbury where we watched the first public screening of Home Fires on 9 AprilThe Arvon Link

Those of you who know me will remember that I love coincidences. The full story of the birth of Home Fires from my perspective is recounted in the new edition of Jambusters. The short version is that after I finished writing the book in the summer of 2012 I took myself off to Totleigh Barton, a beautiful 16th century manor house in an idyllic corner of Devon. It is run by the Arvon Foundation, a wonderful organisation set up in 1968 to run courses and offer retreats for writers of all levels of experience. I signed up to a script-writing course as a beginner. And a beginner I remain, though a much better informed one than I had been before the course. I am no television script-writer but I did have the immense good fortune to be tutored by two very talented ones: Brian Dooley, famous for The Smoking Room, amongst other comedies, and Simon Block, now the creator and writer of Home Fires.

I was having a tutorial with Simon on the very last day of the course and as we both knew it was pointless talking about script-writing, we got to chatting about my non-fiction work. I told him about Jambusters and showed him the jacket for the hardback on my phone. He seemed interested, which rather surprised me. I did not think the WI would necessarily grab the attention of a script-writer whose work had to date included writing for Lewis, Shetland and an award-winning drama The Shooting of Thomas Hurndall. Well, I was wrong and a month after the course ended Simon wrote to me and asked if I would like to meet his friend and TV Producer, Catherine Oldfield, who had worked on many programmes including Foyle’s War. That was recommendation enough and a few days later my agent, Francine Fletcher, and I turned up at a small restaurant in Covent Garden. By the end of lunch we had agreed I would send Catherine the proof of Jambusters and she in turn promised to read it and get back to me soonest. Which she did. Three days later she emailed, ‘Summers, you made me cry’. The next few months were a rollercoaster in so many ways. Nothing was certain but everything was possible. Then, nearly 18 months after we had first met, I received the phone call I had been longing for. ‘We are going to make a six part drama series.’ That was 18 March 2014. Script-writing happened at breakneck speed over the spring and filming commenced in September. The cast and production crew were fortunate to have only 2 days of bad weather. Cheshire was showing off to the maximum. Now the whole show has moved on and the drama is real. It exists and it is soon to become public. A unique experience for me and so far from anything I was thinking when I settled down in 2009 to write about the wartime WI.

The final piece in the puzzle for me came in April 2015. To my intense delight the news of the transmission date came through as I was driving from Oxford to Clun in Shropshire to speak to Arvon students doing a non-fiction course at The Hurst. The connection I had made in Totleigh Barton two and a half years earlier had come full circle on the exact day I was making my first visit to Arvon in Shropshire as a guest lecturer. As I said, I do love coincidences.Fashion on the Ration

Not to be overshadowed by the WI, the book and exhibition Fashion on the Ration at the Imperial War Museum have enjoyed lots of press and thousands of visitors. The museum is particularly thrilled that the exhibition is attracting younger visitors as well as people who enjoy reminiscing about living through clothes rationing and Make-Do and Mend. I am very pleased that one of the themes of the book and show is that wartime clothing, while limited in design, was not dull in terms of colour. This is reflected in the wardrobe chosen by Lucinda Wright for the clothes worn by the characters in Home Fires.

I just want to say a very warm thank you to all of you who have been with me on this journey in one way or another over the last few years. It has been great fun and as I look back over the newsletters that I first started writing in September 2009, quite a lot of water has passed under the bridge. My particular thanks to Andy Ballingall, who puts this newsletter together and is responsible for my website and to Graham Ives, who is a wonderful and generous editor.

Julie Summers

May 2015, Oxford

julie@juilesummers.co.uk

The Old and the New

There is something rather extraordinary about the way history goes round in cycles. I’m not making a point about history repeating itself. That has been made often. I am talking about a cycle that I observed last week at the launch of Fashion on the Ration at the Imperial War Museum. When I was in my twenties we were fascinated by the designs and the clothing from the 1920s. I remember loving the boyish shapes under the flappers’ glorious dresses. There was something so unbelievably refined and beautiful about them and I wanted to look like them, dance like them, smell like them and love like them. But to the generation growing up in the late 1930s and 1940s, those elegant lines and dropped waists were considered ugly and old-fashioned. Completely out of date with the then current thinking about fashion which celebrated curves and divided the bosom into two for the first time in decades. Despite the overriding impression that wartime clothing was dull and depressing, there is a generation of twenty-somethings who today are rediscovering and cherishing the Utility designs of wartime Britain: flat caps and round glasses, Victory rolls and lace-up shoes, tweed suits and rayon dresses. To me it is fascinating to see fashion come full circle and be celebrated in such style.

When I wrote Fashion on the Ration the single most striking thing for me was the colour of clothing in the Second World War. Used to seeing images in black and white it is all too easy for forget that colour was one of the only things in clothing that was not rationed or constrained by the austerity clothing regulations. Colour brings joy and energy to good design and nothing exemplifies that more than the Utility range of clothing on show at the Imperial War Museum in London (5 March to 31 August 2015).

I wonder if anyone, ever, will find anything attractive about bell-bottom jeans and the horrendous designs I wore in my teens in the 1970s…

December 2014

Welcome to my 15th newsletter. After an autumn of intense activity on all fronts I am looking forward to a quieter period of planning for the future.Contents

  • Jambusters
  • Fashion on the Ration
  • Mountain Matters
  • Hotel Majestic
  • Pen Thoughts
  • Future Events

Samantha BondSamantha Bond: to feature on the forthcoming Jambusters Audio CDFashion on the RationJambusters

ITV Logo

There is nothing to report on Jambusters the drama series, now re-titled Home Fires, as ITV wish to keep their powder dry until shortly before the series is aired in spring 2015. I will give a full update on this shortly before broadcast but please bear with me until then. A new edition of Jambusters the book, to coincide with the TV series, will be published with a preface telling the story of how it went from non-fiction to fiction in two years.

However, a really exciting project is underway to turn an abridged version of the book into an audio CD as we did for Stranger in the House and The Colonel of Tamarkan, read by Lesley Manville and Anton Lesser respectively. This time Chrome Audio is seeking crowd funding to get the project off the ground and the book will be read by the wonderful Samantha Bond. It is so thrilling that people are really interested in what women did on the home front in the countryside during the war. The audio book will appear in the spring if we can get pledges for 1,000 copies, so if you know anyone who might be interested, do please point them towards the webpage http://jambustersaudio.co.uk/.Fashion on the Ration

This book is due to be published at the end of February and the exhibition of the same title will open on 5 March at the Imperial War Museum, London. It will run until 31 August 2015 and there are rumours that it might travel abroad but at the time of writing nothing is fixed. The story of wartime clothing and fashion is a tale of two halves. On the one hand there was the vision of the fashion industry and the haute couture houses who designed Utility clothes for the home market and more luxurious designs for South Africa, America and Brazil, and on the other, the Make-Do and Mend worn by the man or woman on the street. What interested me was where the two met and overlapped. It seems almost impossible to imagine nowadays, but the fashion editor of Vogue advocated sewing brightly patterned or coloured pockets in contrasting shades to liven up a dull skirt or pinafore dress. Picture Post featured a showgirl from the Windmill Theatre who worked as a fully-trained air-raid warden. Other journalists, such as Anne Scott-James, deplored trousered women in West End restaurants and ’16 stone women in flannel bags … and similar incongruous sights.’ The War Office commissioned corsets for women in the services to have pockets for carrying loose change (bus money) as women in uniform were not allowed to carry handbags. Although there are plenty of amusing anecdotes, this is a serious look at a fascinating period when the government had such minute control over people’s lives that civil servants at the Board of Trade could dictate the length of men’s socks and the amount of material in women’s knickers.Mountain Matters

I retired from the chairmanship of the Mountain Heritage Trust in September after four years in post and almost a decade on the committee. It has been a wonderful time in so many ways and I have enjoyed working with the outstanding archivist, Maxine Willett, who has brought professionalism and dedication to the job and put the Trust on the map as a leading example of good practice in preserving and documenting collections. I shall miss the work but I needed to move on and let someone else take over.

K2

K2 Showing the Abruzzi Spur
© Chris Bonington Picture Library

Actually, it is strictly speaking not quite over yet. On Wednesday 11 February I will be interviewing Chris Bonington at the Royal Geographical Society in London to mark his 80th birthday and some sixty years at the top of British climbing and mountaineering.

Chris celebrated his 80th birthday by climbing the Old Man of Hoy, proving, if proof ever were needed, that he richly deserves his place in the pantheon of great British climbers. Over six decades Chris has celebrated first ascents and extraordinary mountaineering leadership all over the world, from his ground-breaking ascent of the North Wall of the Eiger in 1962 to leading the 1975 Mount Everest expedition that successfully placed two Britons, Doug Scott and Dougal Haston on the summit.

Chris Bonington

Chris Bonington
© Chris Bonington Picture Library

We will be joined for this special event by climbing friends and family including Doug Scott, Charles Clarke, Mike Thompson, Jim Fotheringham, Paul Ross, John Porter and Rupert Bonington who together span Chris’s sixty-five years on rock, snow and ice, and have shared triumph and tragedy.

This is not the first time I have interviewed Chris but it is certainly the most high-profile event we have done together and I am enormously looking forward to it. Tickets are going like hot-cakes, so if you would like to join us, shout now as I really do believe it is one not to be missed.Hotel Majestic

Many years ago I remember being told about my great-grandfather, Harry Summers, who spent the last few years of his life as a lonely old man living in a hotel in Harrogate. It had always struck me as a somewhat sad end to a long and distinguished life but now I know that was not the case. I mean, the life was long and distinguished alright but he did not die a lonely old man. He had a companion with whom he travelled to Egypt for three months every winter and who was a regular visitor at the Majestic where he lived. During the war the RAF took over the main part of the hotel and the long-term residents were moved to a smaller wing. When I discovered this I found myself wondering what had happened to other houses, hotels and premises that were requisitioned after 1939. I decided that there was a story to be told and my agent agreed that it could possibly be a topic for a new book. I went off to see what information could be uncovered. A few months into the research I can assure you that there are some fascinating stories to be told. I am not interested in the country houses and castles, whose stories are already well documented, but the smaller properties whose inhabitants were told unceremoniously that they must give up their house, home or farm ‘for the war effort’ and sometimes did not move back in for six years. This feels like a very wonderful project and sits well with my passion for art and architecture as well as nosing around social history. At the time of writing I am waiting to sign the contract and it will be great to have something solid on the calendar for 2015-16.Pen Thoughts

I cannot get away from paper diaries. Try as I might, I have not succeeded. Every December I am lucky enough to receive the gift of a dark blue leather bound Letts diary which is just the right size for my handbag. Apparently this ‘original’ diary dates from 1812 and I find it rather satisfying to think that Mr Letts’ design that would have been good enough for my great-great-great-great grandfather – had he not been an illiterate cobbler in Bolton – is good enough for me today. Being a history-minded person I like the fact that some things stand the test of time.

Julie Summers

December 2014, Oxford

julie@juilesummers.co.ukFuture Events

  • The Kirkgate, Cockermouth
    Tuesday 6 January 2015
    8pm Everest Needs You, Mr Irvine
    The Keswick Mountaineering Club
  • Ellis Brigham, 3-11 Southampton St, London WC2E 7HA
    Wednesday 28 January 2015
    7:30pm Everest Needs You, Mr Irvine (double bill with climber Sandy Allen)
    www.ellis-brigham.com
  • The Kings Arms, 168 Whiteladies Rd, Bristol, BS8 2XZ
    Thursday 29 January 2015
    7:30pm Everest Needs You, Mr Irvine (double bill with climber Sandy Allen)
    Kings Arms Bristol
  • Ellis Brigham Mountain Sports, Castlefied Manchester, M3 4NF
    Tuesday 3 February 2015
    7:30pm Everest Needs You, Mr Irvine (double bill with climber Sandy Allen)
    www.ellis-brigham.com
  • Royal Geographical Society, London
    Wednesday 11 February 2015
    7pm Chris Bonington: My Climbing Life
    Tickets are priced at £25 and can be bought from www.worldexpeditions.com or via cheque from Mountain Heritage Trust.
  • Words by the Water Festival, Keswick
    Tuesday 10 March 2015
    11am Fashion on the Ration
    Click for details

A Word in Your Ear

There is something deliciously private about the written word. That probably sounds slightly ridiculous, especially when my job is to publish and make public words that I write. But think about it for a second. The relationship between the reader and writer is intimate. It is one to one. I particularly feel that intimacy when I am curled up on a sofa reading a book in which I become so absorbed that nothing else matters apart from those words on the page that are conjuring up a world created for me by another writer. Of course, they are not created specially for me but it feels like it and that is one of the many magical properties of books.

So if something I have written appears in a different medium it takes on a new character. Take audio, for example. The Colonel of Tamarkan appeared as an audio book in 2010. And it went through quite a process before it became runner up in the Audio Book of the Year (beaten by Dr Who). First it had to be abridged. That is a strange but fascinating process. 127 thousand words had to be distilled into about twenty-five thousand whilst not losing the thread of the story. The nimble fingered Neville Teller did a wonderful job to the extent that when listening to the book it is quite difficult to recall what he left out. I say nimble fingered because it felt to me as if he had unpicked a jumper and crocheted a scarf in the same colour and design.

Then there has to be a reader. Chrome Audio engaged Anton Lesser. I was lucky enough to meet him when he arrived to do the reading. As I listened to him speaking words that I had written six years earlier, investing them with meaning, I felt them lift off the page and gain a rounded form. It was intensely exciting and he really ‘got’ my grandfather’s voice. He captured the humour and the despair beautifully. The result is marvellous. It is public too but still in an intimate way because although it has been broadcast on the radio several times, there is more often than not a one to one relationship between the listener and the radio.

So when I heard that Chrome wanted to make an audio book out of Jambusters, I was immediately enthusiastic. Neville Teller has once again unpicked my narrative and produced a lively and cleverly shaped script which will be read by Samantha Bond, one of my favourite actors. I am so looking forward to hearing those women I came to know so intimately while I was writing the book have a life beyond the pages. I know she will breathe life into them, as Anton did with the Colonel, and I think the result will be equally marvellous.

July 2014

Welcome to my 14th newsletter and the first one for almost a year. The reason for this gap is that I was waiting to be allowed to announce the news that ITV has commissioned a six-part drama series inspired by Jambusters. This is definitely the most exciting development in my writing career to date.Contents

  • Jambusters are Go
  • Fashion on the Ration
  • Mountain Matters
  • Pen Thoughts
  • Forthcoming Events

Jambuster Are Go!CC41 clothing labelthe official CC41 clothing label that had to be sewn or stuck onto every utility garment or item made, including furniture.l-r: Chris Bonington, 28 hours after having a toe amputated, Julie Summers, Melvyn Bragg and Leo Houldingleft to right: Chris Bonington, 28 hours after having a toe amputated, Julie Summers, Melvyn Bragg and Leo HouldingRichard Steele and his father ChrisRichard Steele, BA.Jambusters are Go

ITV Logo

It would be a long story to describe how we got to where we are now, and I will not bore you with that here, but four scripts have been written, and director, producer and script editor have all been appointed. The wonderful thing from my perspective is that the Executive Producer, Catherine Oldfield, has involved me in the story-lining and I consult on the scripts for historical accuracy. It is a fascinating process and one that I find immensely creative. It is essential for authenticity that facts are correct and in particular that the detail of WI procedure is followed to the letter.

I have always felt strongly that it should represent a true picture of what women living in a village would have seen or experienced, not another series in Blitzed-out London. The location is the north-west, which was full of airfields, plus Ellesmere Port with the huge oil refinery and of course the great cities of Liverpool and Manchester. The backdrop to the war was the Battle for the Atlantic, which went on for the whole six years. There are three writers working on the drama. Simon Block, the main writer and the show’s creator, is fantastically generous in letting me see early drafts of scripts. When I attended a three day story-lining meeting in April there were a lot of questions about what would have happened at particular moments during the war, what incidents we could introduce to make good drama. I was on hand to answer questions about the introduction of food rationing, national registration, requisitioning and so forth.

At one point Simon decided he had a question to which I would not know the answer. He asked me what date it started snowing in 1940. To my embarrassment I did know. There had been a big WI meeting scheduled for 31 January but it had to be cancelled because it had started snowing heavily in the south east on 27 January. I had read about it the previous day when I was checking through Home & Country at the WI’s Denman College. I felt a complete anorak.

I want to put on record here that I feel confident and comfortable with what the writers and producers are developing. Simon’s world feels authentic and believable. It is full of strong women with personality, energy and verve, coupled with human frailty. He is a brilliant writer and although he will be embarrassed to hear me say that, I can’t imagine anybody better to write this drama. Francis Hopkinson, the head of ITV Studios, described Simon’s script as ‘brilliant’ and he’s right.

The drama will be screened sometime in 2015. There is more information here. It will be filmed in Cheshire, which is where it is set.

I am hoping to go and watch the filming for a day or two and I have been told I may be an extra, which will be great fun. I look forward to dressing up in a late 1930s outfit.Fashion on the Ration

This book is due to be published at the beginning of March so I am writing it at the moment and am about to start editing the third draft. I describe my first drafts as butterfly soup – it was an expression Philip Pullman used, I think. Anyway, it is an accurate picture of what the book looks like at the moment and I just have to draw the butterfly out of the soup and spread fairy dust on its wings. The facts about clothes rationing and how people coped in wartime are fabulous and there are some very amusing anecdotes. In one exchange of letters the Archbishop of Canterbury, William Temple, wrote to the President of the Board of Trade, Hugh Dalton, bemoaning the fact that his clergy were finding it almost impossible to get new cassocks made, as the amount of material available to the Church’s tailors had been reduced by two-thirds. Dalton promised he would look into the matter if the Archbishop would make an announcement that it was acceptable for women to attend church hatless and without stockings. Temple agreed. More material was provided for cassocks and women were given official permission to attend church without stockings or hats.

There is a lot more to come and I am working closely with the Imperial War Museum, London, who will be mounting a major exhibition on the same subject next spring.

There will be quite a lot going on in 2015.

Update: Fashion on the Ration now published by profile books.Mountain Matters

On 23 May we opened our mountaineering gallery in the newly refurbished Keswick Museum & Art Gallery. It is so good to have a space at last where we can mount exhibitions and show off some of the fabulous archive material held by the Mountain Heritage Trust. The first exhibition revolves around the first ascent of Central Buttress on Great Gable in April 1914 by Siegfried Herford. He was probably the greatest and most talented climber of his generation but tragically he was killed in 1916. Shockingly, almost a third of the membership of the Climbers Club died in the First World War and we have included a role of honour in the exhibition.

The museum has been really well designed and it has an outstanding café, so if you are in Keswick, it is well worth a visit for food as well as the exhibitions.

On Friday 6 June I was in Cumbria for a charity version of In Our Time, hosted by Melvyn Bragg. It happened to be the 90th anniversary of the last sighting of Mallory and Sandy Irvine, so quite an auspicious day to be speaking about them. The panel consisted of Chris Bonington, me and Leo Houlding. Chris’s credentials are impeccable, of course and Leo is an outstanding climber and had the fun (and honour) of playing Sandy Irvine in the docu-drama The Wildest Dream which I also had a tiny role in as a talking head. We had a fabulous discussion and Lord Bragg kept us more or less under control, though I think he was slightly taken aback when some of the facts about climbing on Everest came out. Particularly the quantity of Montebello champagne and quails in foie gras that the 1924 expedition took along. Well, after all, it was an Empire expedition. What would you expect?Pen Thoughts

Janet Street Porter wrote an opinion piece the other day about the joy of receiving hand-written letters. I agree. It is always a treat to see hand-writing on an envelope when it glides through my letter box. I have recently begun sorting through my collection of special letters that I have kept, starting with one from my father extolling the joys of life at university, which he wrote to me when I was living in Munich in 1980. I discovered that I have over 1,000. I wonder, will we keep special emails in the future?

On a personal note, Chris and I had the greatest of fun going to see our middle ‘baby’ graduate. Here is photographic proof that he is actually no longer a baby but a rather large BA.

Julie Summers

July 2014, Oxford

julie@juilesummers.co.ukForthcoming Events

  • Retford Town Hall
    Friday 29th August 2014
    7pm: Julie Summers in conversation with Paul Trickett about her three Home Front war books
  • Ladies Literary Luncheon
    1st September 2014
    Lainston House Hotel, Winchester
    Jambusters

June 2014

Welcome to my 14th newsletter and the first one for almost a year. The reason for this gap is that I was waiting to be allowed to announce the news that ITV has commissioned a six-part drama series based on Jambusters. This is definitely the most exciting development in my writing career to date.Contents

  • Jambusters are Go
  • Fashion on the Ration
  • Mountain Matters
  • Pen Thoughts
  • Forthcoming Events

Scartho Road Cemetery, Grismby, war plot with the newly installed panel on the left © CWGCScartho Road Cemetery, Grismby, war plot with the newly installed panel on the left © CWGCKilchoman Military Cemetery on the Isle of Islay © CWGCKilchoman Military Cemetery on the Isle of Islay © CWGCThe Boyle headstone, Glasgow Lambhill Cemetery © The Scottish War Graves ProjectThe Boyle headstone, Glasgow Lambhill Cemetery
© The Scottish War Graves ProjectDoug Scott and Chris Bonington (left) crawling down the Ogre ©Doug ScottDoug Scott and Chris Bonington (left) crawling down the Ogre ©Doug ScottJambusters are Go

It would be a long story to describe how we got to where we are now, and I will not bore you with that here, but four scripts have been written, and director, producer and script editor have all been appointed. The wonderful thing from my perspective is that the Executive Producer wants me to be involved in the story-lining and to consult on the scripts for historical accuracy. It is a fascinating process and one that I find immensely creative. It is critical for authenticity that facts are correct, and in particular that the detail of WI procedure is followed to the letter. Any slip-ups there and the programme will lose credibility with a very large percentage of the WI, which we do not want.

There are three writers working on the drama. Simon Block, the main writer and the show’s creator, is fantastically generous in letting me see early drafts of scripts so that I can check for infelicities and make sure the tone of the language is right. We have had some very amusing email exchanges and he frequently pulls my leg. When I attended a three day story-lining meeting in April there were a lot of questions about what would have happened at particular moments during the war, what incidents we could introduce to make good drama and so forth. I felt strongly that it should represent a true picture of what women living in a village would have seen or experienced. So no Blitz or bombing in the first series, which goes up to June 1940. The location is Cheshire, which was full of airfields, close to Ellesmere Port with the huge oil refinery, within a few miles of Chester and close enough to Liverpool to be associated with that great city. The war in Cheshire would have been the Battle for the Atlantic, which went on for the whole six years of the war. So I had to be on hand to answer questions about the introduction of food rationing, national registration, requisitioning and so forth.

It was an immensely creative process and great fun. On one occasion Simon decided he had a question to which I would not know the answer. He asked me what date it started snowing in 1940. To my embarrassment I did know. There had been a big WI meeting scheduled for 31 January but it had to be cancelled because it had started snowing heavily on 27 January. I had read about it the previous day when I was checking through Home & Country at the WI’s Denman College. I felt a complete anorak.

The drama is provisionally titled JAMBUSTERS and will be screened sometime early next summer. We probably won’t know the exact slot or date until closer to the time but the team hope it will be 9pm on Sunday nights. To date we have scripts for the first four episodes, two by Simon Block, one by Mark Burt and the other by Tina Pepler. Simon will be writing 5 and 6 over the next couple of months and filming starts at the end of August. There is more information on the cast and production team here [ITV press release]Fashion on the Ration

This book is due to be published at the beginning of March so I am writing it at the moment and am about to start editing the first draft. I describe my first drafts as butterfly soup – it was an expression Philip Pullman used, I think. Anyway, it is an accurate picture of what the book looks like at the moment and I just have to draw the butterfly out of the soup and spread fairy dust on its wings. The facts about clothes rationing and how people coped in wartime are fabulous and there are some very amusing anecdotes. In one exchange of letters the Archbishop of Canterbury, Geoffrey Fisher, wrote to the President of the Board of Trade, Hugh Dalton, bemoaning the fact that his clergy were finding it almost impossible to get new cassocks made, as the amount of material available to the Church’s tailors had been reduced by two-thirds. Dalton promised he would look into the matter if the Archbishop would make an announcement that it was acceptable for women to attend church hatless and without stockings. Fisher agreed. More material was provided for cassocks and women were given official permission to attend church without stockings or hats.

There is a lot more to come and I am working closely with the Imperial War Museum, London, who will be mounting a major exhibition on the same subject next spring.

There will be quite a lot going on in 2015.Mountain Matters

On 23 May we opened our mountaineering gallery in the newly refurbished Keswick Museum & Art Gallery. It is so good to have a space at last where we can mount exhibitions and show off some of the fabulous archive material held by the Mountain Heritage Trust. The first exhibition revolves around the first ascent of Central Buttress on Great Gable in April 1914 by Siegfried Herford. He was probably the greatest and most talented climber of his generation but tragically he was killed in 1916. Shockingly, almost a third of the membership of the Climbers Club died in the First World War and we have included a role of honour in the exhibition.

The museum has been really well designed and it has an outstanding café, so if you are in Keswick, it is well worth a visit for food as well as the exhibitions.Pen Thoughts

Janet Street Porter wrote an opinion piece the other day about the joy of receiving hand-written letters. I agree. It is always a treat to see hand-writing on an envelope when it glides through my letter box. I have recently begun sorting through my collection of special letters that I have kept, starting with one from my father extolling the joys of life at university, which he wrote to me when I was living in Munich in 1980. I discovered that I have over 1,000. I wonder, will we keep special emails in the future?

Julie Summers

June 2014, Oxford

julie@juilesummers.co.ukForthcoming Events

  • A charity In Our Time with Melvyn Bragg
    Friday 6th June 2014, 7pm
    Hutton-in-the-Forest, Cumbria
    To mark the 90th anniversary of the disappearance of Mallory and Irvine
    Chris Bonington, Leo Houlding and Julie Summers sold out
  • Retford Town Hall
    Friday 29th August 2014
    7pm: Julie Summers in conversation with Paul Trickett about her three Home Front war books
  • Ladies Literary Luncheon
    1st September 2014
    Lainston House Hotel, Winchester
    Jambusters

The Beauty of Knowledge

There is something very special about working in a library. All too often I end up working in my office at home. It is lovely and I do know how lucky I am with my view over the spires of Oxford. However, going to a library is like going to a cathedral of learning. Last Friday I had three hours to kill in Liverpool. The city of my birth – well almost, I was actually born in Clatterbridge hospital on the other side of the Mersey – it is a place I love and feel very much at ease in.

I made my way to the Central Library, recently refurbished and only opened in May 2013. http://liverpool.gov.uk/libraries/find-a-library/central-library/. It is absolutely beautiful and I was incredibly impressed by the quality and detail of the workmanship. But what impressed me more than anything else was the atmosphere. The place was alive and buzzing, throngs of readers and visitors looking at books, working at computers, sitting in comfy chairs, admiring the building or just looking vacantly out of the windows.

I made my way to the Picton Reading Room, a show-stopping, arrestingly impressive space that houses three tiers of books in a round space with a huge cupola above, and decorated in exquisite industrial age wood and metalwork. At first I just sat and worked but then I found myself caught up in the atmosphere of the place. It is more than a cathedral to learning, more than a temple to the written word, it is a a Pantheon-like space that speaks of the beauty of knowledge. So imbued was I by the power of this glorious reading room that I succeeded in finishing a book proposal I have been struggling with for weeks.

Thank you, Sir James Picton (1805-1889), for campaigning for a public library for the city of Liverpool. He argued that public libraries should be supported by public funds as they performed a vital role in society ‘by fostering social unity and cultural harmony’. In 1852 a special act of parliament authorised a levy on a penny rate for the support of a public library and museum. The library and museum was built by Sir William Brown and opened in 1860. The Picton Reading Room, modelled on the British Library in London, was opened in 1879. Picton became the first chairman of the library and museum committee in 1851 and held the position until his death in 1889. I salute his foresight and belief in the importance of liberal learning.

Reconciliation

Bill Drower (right) with Patrick Toosey, son of ‘The Colonel of Tamarkan’ at the book launch in 2005

Today, 16 August, is the date in 1945 when many in the Far Eastern prisoner of war camps were released. Most of the men had been POWs for 3 ½ years. Of the 60,000 who were forced to work on the notorious Thailand-Burma Railway, over 12,000 never returned. A shattering statistic. In other parts of the Greater East Asia Co-Prosperity Sphere the death toll was even higher. In all, 130,000 prisoners of war and the same number of civilians were held captive. The story of their plight is well documented in books, films, broadcasts and newspapers. Some of their tales are truly harrowing. Less often does one read about reconciliation between the former prisoners and the Japanese. However, today I was reminded of one man who, despite suffering appallingly, forgave his captors.
I first met Bill Drower, or Captain William M. Drower to give him his full name, when I was researching the biography of my grandfather, Philip Toosey, which appeared in 2005 as The Colonel of Tamarkan: Philip Toosey and the Bridge on the River Kwai. I had been out in Thailand with my mother to see the bridge over the river Kwai, the camps where Toosey had been senior British officer and to talk to some of the prisoners who had been in captivity with him. When I got home there was an envelope on my desk with spidery writing. I opened it and read the first sentence which began: ‘My dear Miss Summers, My name is William Mortimer Drower and your grandfather was kind to me when I got into a spot of bother in the camp gaol…’
I knew the story of Bill Drower’s imprisonment, of course I did. Anyone who has read about the railway knows that he fell out with one the guards in the officers’ camp in May 1945, only to be hauled up in front of the psychotic camp commander, Noguchi, and condemned to spend the rest of his life in a hole in the ground. For 77 days he lay in solitary confinement, quietly losing his mind, being fed on just one rice ball a day. Once he woke to find a rat gnawing at his foot. On 16 August 1945 the camp at Kanchanburi was liberated and Bill Drower was dragged out of his prison, more dead than alive. He was suffering from Blackwater fever and was delirious. Some ‘spot of bother’. Amazingly he recovered and the next time my grandfather saw him was in London six months later, when Bill was physically restored to his spectacular 6’3” frame.
Fifty years later Bill was invited to go on a reconciliation mission to Japan. He agreed on one condition: that he would be allowed to give a speech in Japanese. He had worked at the Japanese Embassy in London in the 1930s and spoke the formal, honorific form of the language. As a translator on the railway he was expected to speak informal Japanese, the language accorded to the lowest in society. His wish was granted and he gave a speech, in honorific Japanese, in Tokyo. It went down extremely well. As a sign of respect and gratitude to this great and humble man, the Japanese hosts offered Bill a trip on the Bullet Train, which he accepted with alacrity. He was chatting to the guide and translator about the train and learned from them that the bullet train had been designed by one of their most famous railway engineers.
The guide continued:
‘This engineer designed a railway in Thailand in the Second World War.’
‘I know,’ replied Bill, ‘I helped him to build it.’
Bill Drower was one of the most impressive men I have had the privilege to meet in the whole of my life. I think of him often, and especially today, on the 68th anniversary of his release from imprisonment.

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